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Illustration by Brunna Fanticelli de Moura
“Valerie Solanas” (2024) Silkscreen. Solanas stands defiantly in front of a bastardization of her victim’s art. The consequences of her devotion to her work bind her hands together.
Illustration by Brunna Fanticelli de Moura
“Mary Magdalene” (2025) Watercolour, ink. After a lifetime of undying devotion, Mary stands disheveled, blind, and mad in front of a bruised sky. The consequences of the life she led clearly show on her face and body.
Illustration by Brunna Fanticelli de Moura
“Ophelia” (2025) Watercolour, ink, acrylic. The weeping willow takes up root in young Ophelia’s stomach, making her one with the environment around her. Her devotion defined her in life, and now it does in death as well.
Illustration by Brunna Fanticelli de Moura
“The Artist” (2025) Digital. What becomes of the artist once her art itself becomes her inspiration? Her art comes from her own pain, her own guts, but she continues to regenerate endlessly.
Illustration by Brunna Fanticelli de Moura
“Naia” (2024) Silkscreen. Naia gazes at her beloved moon’s reflection on the water, her own face meeting her eyes through branches and leaves. A faint outline of what she will one day become haunts the image.
Illustration by Brunna Fanticelli de Moura
“Anna May Wong” (2025) Acrylic. Wong fights the stereotypes that have followed her throughout her entire life, but she is still confined to those roles as she fights.
Illustration by Brunna Fanticelli de Moura
“Emily Dickinson” (2024) Intaglio, linoleum, ink. An effigy, a snapshot of the person Dickinson was. This piece incorporates Dickinson’s three passions: gardening, poetry, and binding and publishing her own version of the poetry.
Illustration by Brunna Fanticelli de Moura
“Catherine de Medici” (2025) Silkscreen. Under a veil of darkness, the Queen Mother makes a move that spills blood on the streets of Paris. She is, after all, secretly the one who has always been playing this game.

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