“Portrait of a Hobo” Exploration of the birthplace of modern graffiti. “Patchwork” Mapping the collaborative path of modern graffiti. “Clown 1” + “Clown 2” The skateboard represents a surface unsuitable for precious art. “Clown 1” + “Clown 2” The skateboard represents a surface unsuitable for precious art. “Politician” The unwritten rules of graffiti mirror the underhanded practices of modern politics. “Trainset” The abstract silhouettes of the ‘throwup’ serve to remove the identity and contrast the present day need for recognition and fame. “Trainset” The abstract silhouettes of the ‘throwup’ serve to remove the identity and contrast the present day need for recognition and fame. “Trainset” The abstract silhouettes of the ‘throwup’ serve to remove the identity and contrast the present day need for recognition and fame. “Trainset” The abstract silhouettes of the ‘throwup’ serve to remove the identity and contrast the present day need for recognition and fame. “Trainset” The abstract silhouettes of the ‘throwup’ serve to remove the identity and contrast the present day need for recognition and fame. “Geedorah” Take me to your leader. “MaskMan” MF Doom tribute. His masked persona serves as an example of graffiti culture built on anonymity. “MaskMan” MF Doom tribute. His masked persona serves as an example of graffiti culture built on anonymity. Close Underpass24 Underpass24 relates the impermanence of graffiti with the superficiality of modern culture. Jackson Tuson-Morse Major Works ⤵ Portrait1 ↗ www.jacksontusonmorse.com ↗ www.instagram.com/jack.son.tm ✎ jtusonmorse@gmail.com ☀︎ 2021 ☼︎ Thesis ⤺ Ivan Nikitin Jackson Tuson-Morse ⤻
